** All prices are in US $, FOB Singapore and negotiable.
205 X 128 CM from sh.sameyeh Oriental carpet catalogue page No.231
4 nd quarter of 20th century
Decorative hunting design Rugs – One of the great commonplaces of the rug market is the supposed distinction between antique rugs of the sort sought after by collectors and those that appeal to clients who are primarily interested in decorating their homes or offices.
This sweeping distinction that involves a range of underlying oppositions are the difference between the design traditions used in village or tribal rugs and those used in urban rug production, the difference between small rugs and trappings versus larger or room-sized rugs, a rich and varied palette versus one that is cooler and more limited, and a knowledgeable interest in the rare and esoteric as opposed to a desire for what is simply beautiful or attractive.
Antique rug collectors come off as scholars more or less, endowed to one degree or another with a learned historical perspective. They tend to approach rugs from the vantage of ethnography. They are interested in tribal or regional distinctions and the place of a given piece in a larger development.
They want pieces made for local use, which they see as authentic, in opposition to rugs made simply for commercial export. They tend to acquire pieces of scatter size or smaller that typified tribal village rugs and tribal weaving, where larger rugs were less common. Collectors accept and admire the often quirky or wild design sensibility and coloration of tribal and village rugs.All natural dyes are paramount for the carpet to have more than just decorative value. Beyond that, various dyers had varying levels of skill and invested different lengths of time in dyeing the yarns. The “quality of color”–its radiance and level of nuance within each color–is centrally important. Certain rare colors such as Tyrian purple, saffron yellow, cochineal rose and greens add to the carpet’s value